Tere mere hothon per flut intro part notation sargam

P. - D.R.D. S G S R P G G DDD --P 

        DP S' D R' S' G' ---

        

R' -- G'R'S'R' ×3

D -- S'DPD ×3

R -- GRSR ×3

D. -- S.D.P.D. × 3

SD. SD. P.D. S 

SSRG G RG 

RRSD SSRS SPD

SRG G RG 

RRSD S RSS 

What is Gamak

Playing gamak on the basuri (Indian bamboo flute) involves adding ornamentation to notes to create a more expressive and nuanced performance. Here’s a basic guide to help you get started:

1. **Understand Gamak**: Gamak is a type of ornamentation that involves oscillating or shaking a note to add emotional depth. In Indian classical music, gamak can be applied to various notes to enhance their expressiveness.

2. **Choose the Right Note**: Start with a basic note (like ‘Sa’ or ‘Re’) that you are comfortable with. It’s often easier to practice gamak on notes you can play cleanly.

3. **Create Oscillation**: To execute a gamak, rapidly oscillate or alternate between the main note and a neighboring note. For example, if you are playing ‘Sa’, you might oscillate between ‘Sa’ and ‘Re’. The oscillation should be smooth and controlled, not too fast or jerky.

4. **Use Breath Control**: Proper breath control is crucial for playing gamak. Experiment with your breath pressure to find the right balance that allows for a clear oscillation between notes without losing the tone.

5. **Practice Slow and Steady**: Start practicing gamak slowly, paying attention to the clarity and smoothness of the oscillation. Gradually increase the speed as you become more comfortable.

6. **Listen to Examples**: Listen to recordings of skilled basuri players who use gamak effectively. This can give you a sense of how gamak should sound and inspire you to incorporate it into your own playing.

7. **Seek Guidance**: If possible, work with a teacher or mentor who can provide personalized feedback and help you refine your technique.

By practicing these steps and incorporating gamak into your playing, you'll add a layer of expression and sophistication to your performances on the basuri flute.

Sargam Palte alankar

Aaroha

SR SN RS NS, RG RS GR SR, GM GR MG RG, MP MG PM GM,

PD PM DP MP, DN DP

ND PD, NS ND SN DN, SR SN RS NS

Avroha 

SN SR NS RS, ND NS DN SN, DP DN PD ND, PM PD MP DP,

MG MP GM PM, GR GM RG MG, RS RG SR GR, SN SR NS RS

Palta alankar For riyaz indian classical music

Palta 

Aaroha

SR GR SN RS, 

RG MG RS GR, 

GM PM GR MG, 

MP DP MG PM,

PD ND PM DP, 

DN SN DP ND, 

NS RS ND SN, 

SR GR SN RS

Avroha 

SN DN SR NS, 

ND PD NS DN, 

DP MP DN PD, 

PM GM PD MP,

MG RG MP GM,

GR SR GM RG, 

RS NS RG SR, 

SN DN SR NS

What is meend

On the basuri (or bamboo flute), "meend" refers to a technique used to create a smooth, gliding transition between notes. This technique involves gradually shifting the pitch by subtly altering the embouchure and finger positions, producing a fluid, expressive sound. It is commonly used in Indian classical music to enhance the emotional and melodic quality of a performance.

Srivalli Song Notes Sargam For Flute Notations Harmonium Casio Etc bollywood song sargam

 Nazren Milte Hi Nazron Se Nazron Ko Churaye

सा प प पप प म पप प प प म प प म ग s s

Kaisi Ye Haya Teri Jo Tu Palkon Ho Jhukaye

सा प प पप प म पप प प प म प प म ग s s

Rab Jo Poshida Hai

म म प म ग रे ग

Uss Ko Nihare Tu

सा म म प म ग रे ग

Aur Jo Garveeda Hai

म म प म ग रे ग

Usko Taale Tu

सा रे रे सा नि सा

Prathmesh Pophale Flute

Instagram / Prathmesh Pophale

Teri Jhalak Asharfi Srivalli

सा सा – सासासा सा रे ग , ग रेमगरे सा नि_

Naina Madak Barfi

नि_ नि_ नि_ ध नि_ ध नि_ प s s s

Teri Jhalak Asharfi Srivalli

सा सा – सासासा सा प ग , ग रेमगरे सा नि_

Bathein Kare Do Halfi

नि_ नि_ नि_ ध नि_ ध नि_ प s s s

(Note – komal Ni denoted as नि_)

Its very super song for instrumental you can use all same notes for all instrument for  more info you can comment and request  your  song   

Krishna Or Kans Flute Notation

SR SR GP GP S- D - 

N D S - N - P - D P G R 

S R R G S - P. - S- G RGR

S N. D. S N. S 

S' N D N P G 

S' N D N P G G 

M G R R G M 

R G M D- S' - N - S' - 

NPGRS (S'NDPMGRS)

SR SR GP GP S- D - 

repeat all

Flute M to P flute Shifting Problem Indian Flute lesson

Raag Yaman Bandish Aaalp Taan And Tihayi Full raag

Raag Yaman Notation Sargam Ayeri Aali Piya Bin Bandish Aalap Taane

Pal Pal Dil Ke Pass Sargam Notation For Flute Harmoniam Keyboard etc

 Pal Pal Dil Ke Pass Sargam 

=====================================================================

= 

Singer : Kishor Kumar 

Movie : Blackmail 

=====================================================================

= 

Pal pal dil ke paas tum rehti ho (2 Times)

Ḍ s s Ṇ s s S s s G s s R s R s Ḍ s Ḍ Ḍ Ṇ Ṇ S s s (2 Times) 

===================================================================== 

Jeevan meethi pyaas yeh kehti ho

G s M s P s s D P P R sR G GM G 

 =====================================================================

Pal pal dil ke paas tum rehti ho 

Ḍ s s Ṇ s s S s s G s s R s R s Ḍ s Ḍ Ḍ Ṇ Ṇ S s s 

 =====================================================================

Har shyam aankhon par Tera aanchal lehraye

P͜P̣ Ḍ s ̣ Ḍ͜Ḍ ḌḌ Ḍ͜G G͜R R͜S S͜Ṇ Ṇ͜Ḍ Ṇ͜Ḍ͜P̣

 =====================================================================

Har raat yaadon ki Baarat le aaye

S P P͜P P͜D P͜M͜M M͜G͜R R͜M M͜G͜G

 =====================================================================

Maein saans leta hoonTeri khushboo aati hai

G R͜RG͜G R͜RS͜S S Ḍ G R͜RG͜G R͜RS͜S S S͜S

=====================================================================

Ek mehka mehka sa Paigham laati hai

G͜G R͜G G͜R R͜S S S͜P G R R G s R S S P ̣

=====================================================================

Meri dil ki dhadkan bhiTere geet gaati hai 

S PPP P͜D P M͜M M M͜G͜R R͜R M M G͜G

 =====================================================================

Pal pal dil ke paas tum rehti ho

Ḍ s s Ṇ s s S s s G s s R s R s Ḍ s Ḍ Ḍ Ṇ Ṇ S s s 

============================================ 

 Antra 

============================================================

Kal tujhko dekha tha maine apne aagan mein

P͜P̣ Ḍ s ̣ Ḍ͜Ḍ ḌḌ Ḍ͜G G͜R R͜S S͜Ṇ Ṇ͜Ḍ Ṇ͜Ḍ͜P̣

 =====================================================================

Jaise keh rahi thi tum Mujhe bandh lo bandhan mein

S P P͜P P͜D P͜M͜M M͜G͜R R͜M M͜G͜G

 =====================================================================

Yeh kaisa rishta hai, yeh kaise sapne hain 

G R͜RG͜G R͜RS͜S S Ḍ G R͜RG͜G R͜RS͜S S S͜S

 =====================================================================

Begane ho kar bhi kyun lagte apne hai 

G͜G R͜G G͜R R͜S S S͜P G R R G s R S S P ̣

 =====================================================================

Main soch main rehta hoon Dar dar ke kehta hoon 

S P P͜P P͜D P͜M͜M M͜G͜R R͜M M͜G͜G

 =====================================================================

Pal pal dil ke paas tum rehti ho

Ḍ s s Ṇ s s S s s G s s R s R s Ḍ s Ḍ Ḍ Ṇ Ṇ S s s 

=====================================================================

All antra is same 

 =====================================================================

Golden Flute Pravin Sargam For Specially Flute and Same notation you can use on keybord harmonium etc for more information you can whats app me or call me 9921991131

What Is Different Hindustani Flute And Carnatic Flute

 The Hindustani flute, also known as the Bansuri, and the Carnatic flute, known as the Venu, are two distinct styles of flutes found in the Indian classical music tradition. While both flutes share similarities in terms of their basic construction and playing technique, there are several differences between them:

1. Historical and regional origins: The Hindustani flute is primarily associated with the North Indian classical music tradition, whereas the Carnatic flute is associated with the South Indian classical music tradition. The geographical and cultural variations between the two regions have influenced the development of their respective flute styles.

2. Length and number of finger holes: The Hindustani flute is typically longer than the Carnatic flute, with six or seven finger holes. It is often made from a single piece of bamboo. On the other hand, the Carnatic flute is shorter and has eight finger holes, including one thumb hole.

3. Embouchure and blowing technique: The embouchure, or the way the flutist positions their lips and blows into the flute, differs slightly between the two styles. In Hindustani music, the flutist uses a technique called "khoj" where the lower lip partially covers the embouchure hole. In Carnatic music, the flutist uses a technique called "pulling," where the lower lip fully covers the embouchure hole.

4. Pitch and tuning: The tuning systems used in Hindustani and Carnatic music also vary. Hindustani music is predominantly based on the raga system, which allows for more flexibility and improvisation in terms of pitch and melodic structures. Carnatic music, on the other hand, follows a strict system of fixed pitches called the saptakam, with a more defined and structured approach to melodic improvisation.

5. Playing style and repertoire: Both styles have their own distinctive playing styles and repertoire. Hindustani flute music often emphasizes slow and meditative melodies, known as alap and vilambit, while also incorporating fast-paced rhythmic compositions called bandish. Carnatic flute music features intricate ornamentation, rhythmic complexity, and compositions like varnams, kritis, and ragam-tanam-pallavi.

It's important to note that these are general differences between the Hindustani and Carnatic flutes, and there can be variations within each style based on the preferences of individual artists. Both flutes have their unique beauty and are integral parts of their respective classical music traditions in India.

This is  Hindustani flute photo

Carnatic flute

Indian Bamboo Flute History

 The history of the Hindustani flute, also known as the Bansuri, is rooted in ancient Indian culture and has a rich heritage dating back thousands of years. The Bansuri is a bamboo flute commonly associated with Hindustani classical music and is considered one of the oldest musical instruments in India.

The origins of the Bansuri can be traced to the Vedic period (around 1500 BCE to 500 BCE), as depicted in ancient Indian scriptures and texts. The flute is mentioned in the Rigveda, one of the oldest sacred texts of Hinduism, where it is referred to as "Vamshi" or "Venu." These references indicate that the flute has been an integral part of Indian music for centuries.

In the context of Hindustani classical music, the Bansuri gained prominence as a melodic instrument. Its development and refinement are often attributed to Lord Krishna, an avatar of Lord Vishnu in Hindu mythology. According to legends, Lord Krishna was not only a divine figure but also an accomplished flute player who enchanted people with his melodious tunes. His association with the Bansuri elevated its status and led to its widespread use in devotional music and classical compositions.

Over time, the Bansuri evolved in terms of design, technique, and playing styles. It is typically made from a single hollow bamboo tube with six to eight finger holes, though variations with more or fewer holes exist. The length and diameter of the flute determine its pitch and tonal range. Different sizes of Bansuri are used to produce various scales and melodies.

In Hindustani classical music, the Bansuri is mainly played in two different octaves, known as "mandra saptak" (lower octave) and "taar saptak" (higher octave). The player creates sound by blowing air across the open end of the flute and manipulating the pitch by covering or uncovering the finger holes. The technique of breath control, known as "swara shastra," is crucial for achieving the characteristic fluidity and expression in Bansuri playing.

The Bansuri has gained recognition and popularity beyond classical music, finding its way into various genres and musical collaborations. Modern flute players have explored fusion with Western music, jazz, and world music, expanding the versatility and appeal of the instrument.

Today, the Bansuri continues to be an integral part of the Indian classical music tradition, played by professional musicians and enthusiasts alike. It has also found a place in contemporary music, film soundtracks, and global performances, showcasing its enduring significance and timeless beauty.

Online Flute Class Golden Flute Pravin Classes Learn Flute Online Hindustani Flute

Golden Flute Online Classes  

🎶 Unleash Your Inner Melody: Join Our Online Flute Classes Today! 🎶

Are you passionate about music and have always dreamed of playing the enchanting melodies of the flute? Look no further! Our online flute classes are here to make your musical aspirations a reality. Whether you're a beginner or an experienced player looking to enhance your skills, our comprehensive and engaging courses are designed to cater to all levels of proficiency.

Our class is weekly 1 class and Monthly 4 class group Class also available 

Why Choose Our Online Flute Classes?

1️⃣ Expert Guidance: Our experienced and highly skilled flute instructors are dedicated to nurturing your talent. They possess a deep understanding of the instrument and can guide you through every step of your musical journey, ensuring that you receive personalized attention and support.

2️⃣ Flexible Learning: With our online classes, you have the freedom to learn at your own pace and convenience. No more rigid schedules or commuting to physical studios. You can access our classes from the comfort of your home, fitting them seamlessly into your busy lifestyle.

3️⃣ Comprehensive Curriculum: Our carefully curated curriculum covers everything you need to know to become a proficient flute player. From learning the basics of holding and producing sound on the instrument to advanced techniques, music theory, and repertoire exploration, our classes are designed to provide a well-rounded musical education.

4️⃣ Interactive Sessions: Engage in live interactive sessions with your instructor and fellow students, fostering a supportive community of like-minded individuals. You'll have the opportunity to receive instant feedback, ask questions, and participate in group activities, making the learning process more enjoyable and rewarding.

5️⃣ Varied Musical Styles: Our classes expose you to a wide range of musical styles, including classical, jazz, folk, and contemporary. By exploring different genres, you'll expand your musical horizons and develop versatility as a flute player, allowing you to express yourself through various musical expressions.

6️⃣ Performance Opportunities: We believe that performing is an integral part of musical growth. Our online flute classes offer regular performance opportunities, such as virtual recitals and ensemble collaborations. You'll have the chance to showcase your progress and gain confidence in sharing your music with others.

7️⃣ Access to Resources: As a student, you'll receive exclusive access to a wealth of learning materials, including sheet music, practice exercises, recorded lessons, and additional resources to support your musical development. These resources will empower you to practice effectively and reinforce what you've learned during the classes.

🌟 Take the First Step Towards Musical Mastery! 🌟

Embark on a captivating journey of flute playing with our online classes. Whether you aspire to perform on grand stages or simply wish to play for your own pleasure, our courses will equip you with the skills and knowledge needed to reach your musical goals.

Don't let distance or time constraints hold you back from pursuing your passion. Join our online flute classes today and unlock the captivating world of music from the comfort of your own home. Discover the joy of creating beautiful melodies and become the flute player you've always envisioned!

🎵 Enroll now and let the music flow through you! Visit our website or contact us at [9921991131 pravin.gulve2009@gmail.com] to learn more and book your spot in our online flute classes. 🎵

Online one to One class 9921991131 

Raag Bhupali Palte For Practice For Flute Vocal Harmonium Etc

Raag Bhupali Palte For Practice

1

AROHA AVROHA

P̣ Ḍ S Ṗ G R

Ḍ S R G R S

S R G R S D

R G P S D P

G P D D P G

P D S P G R

D S R G R S

S R G R S D

R G P S D P

2

AROHA AVROHA

P̣ Ḍ S R Ṗ G R S

Ḍ S R G G R S D

S R G P R S D P

R G P D S D P G

G P D S D P G R

P D S R P G R S

D S R G G R S D

S R G P R S D P

3

aroha avroha

P̣ Ḍ S R G Ṗ G R S D

Ḍ S R G P G R S D P

S R G P D R S D P G

R G P D S S D P G R

G P D S R D P G R S

P D S R G P G R S D

D S R G P G R S D P

4

  Aroha Avroha

P̣ Ḍ S R G P Ṗ G R S D P

Ḍ S R G P D G R S D P G

S R G P D S R S D P G R

R G P D S R S D P G R S

G P D S R G D P G R S D

P D S R G P P G R S D P

5

aroha avroha

P̣ Ḍ S R G P D Ṗ G R S D P G

Ḍ S R G P D S G R S D P G R

S R G P D S R R S D P G R S

R G P D S R G S D P G R S D

G P D S R G P D P G R S D P

6

aroha avroha

P̣ Ḍ S R G P D S Ṗ G R S D P G R

Ḍ S R G P D S R G R S D P G R S

S R G P D S R G R S D P G R S D

R G P D S R G P S D P G R S D P

7

aroha avroha

P̣ Ḍ P̣ Ḍ S Ṗ G Ṗ G R

Ḍ S Ḍ S R G R G R S

S R S R G R S R S D

R G R G P S D S D P

G P G P D D P D P G

P D P D S P G P G R

D S D S R G R G R S

S R S R G R S R S D

R G R G P S D S D P

8

aaroha avroha

P̣ Ḍ P̣ Ḍ S R Ṗ G Ṗ G R S

Ḍ S Ḍ S R G G R G R S D

S R S R G P R S R S D P

R G R G P D S D S D P G

G P G P D S D P D P G R

P D P D S R P G P G R S

D S D S R G G R G R S D

S R S R G P R S R S D P

9

aaroha avroha

P̣ Ḍ P̣ Ḍ S R G Ṗ G Ṗ G R S D

Ḍ S Ḍ S R G P G R G R S D P

S R S R G P D R S R S D P G

R G R G P D S S D S D P G R

G P G P D S R D P D P G R S

P D P D S R G P G P G R S D

D S D S R G P G R G R S D P

10

aroha avroha

P̣ Ḍ S P̣ Ḍ S R Ṗ G R Ṗ G R S

Ḍ S R Ḍ S R G G R S G R S D

S R G S R G P R S D R S D P

R G P R G P D S D P S D P G

G P D G P D S D P G D P G R

P D S P D S R P G R P G R S

D S R D S R G G R S G R S D

S R G S R G P R S D R S D P

11

AAROHA AVROHA

P̣ S Ḍ S Ḍ P̣ Ḍ Ṗ R G R G Ṗ G

Ḍ R S R S Ḍ S G S R S R G R

S G R G R S R R D S D S R S

R P G P G R G S P D P D S D

G D P D P G P D G P G P D P

P S D S D P D P R G R G P G

D R S R S D S G S R S R G R

S G R G R S R R D S D S R S

R P G P G R G S P D P D S D

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

S R G P D S R' G' G' R' S D P G R S

Raag Bhupali Palta Taal teen taal

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

P D S R P D S R R S D P P D S R

D S R G D S R G G R S D D S R G

S R G P S R G P P G R S S R G P

R G P D R G P D D P G R R G P D

G P D S G P D S S D P G G P D S

P D S R P D S R R S D P P D S R

D S R G D S R G G R S D D S R G

S R G P S R G P P G R S S R G P

Ranjha (Shershaah) Notations Sargam Bollywood song Sargam Notation for harmonium Casio keyboard

 Roothi Ae Sabte Rabba

ध सा सा सा सा सा सा सा

==================

Rabba Dil Bhi Hai Rootha

ध सा सा ध प – प प प प

==================

Sab Kuchh Hai Bikhra Bikhra

ध सा सा सा सा सा सा सा

==================

Bikhra Sa Rootha Rootha

ध सा सा ध प – प प प प

==================

Chup Maahi Chup Hai Ranjha

ध सा सा सा – सा सा रे ग

==================

Bole Kaise Ve Na Ja

रे ग ग रे सा – सा सा रे ग

==================

Bole Kaise Ve Na Ja

रे ग ग रे सा नि नि सा रे

==================

Aaja Aaja

सा सा ss सा सा s s

==================

Bole Kaise Ve Na Ja

ध सा सा सा – सा सा रे ग

==================

Bole Kaise Ve Na Ja

रे ग ग रे सा – सा सा रे ग

==================

Chup Maahi Chup Hai Ranjha

रे ग ग रे सा नि नि सा रे

==================

Aaja Aaja

सा सा ss सा सा s s

==================

Ve Mera Dola Ni Aaya Dola

साां साां साां निां साां साां निां धांs पांs म धां साां s s

==================

Ve Mera Dola Ni Aaya Dola

साां साां साां निां साां साां निां धांs पांs म धां साां s s

==================

Ve Mera Dola Ni Aaya Dola

साां साां साां निां साां साां निां धांs पांs म धां साां s s

==================

Ve Mera Dola Ni Aaya Dola

साां साां साां निां साां साां निां धांs पांs म धां साां s s

==================

Oh Rabb Vi Khel Hai Khele

धां - धां रें रें साां , साां साांसाां साां निां रें साां निां धां

==================

Roz Lagave Mele

धां – धां रें रें साां , साां साांसाां साां s

==================

Kehnda Kuch Na Badla

धां – धां रें रें साां , साां साांसाां साां निां रें साां निां धां

==================

Jhooth Bole Har Velle

धां – धां रें रें साां , साां साांसाां साां s

================

Oh Rabb Vi Khel Hai Khele

धां – धां रें रें साां , साां साांसाां साां निां रें साां निां धां

==================

Roz Lagave Mele

धां – धां रें रें साां , साां साांसाां साां s

==================

Kehnda Kuch Na Badla

धां – धां रें रें साां , साां साांसाां साां निां रें साां निां धां

==================

Jhooth Bole Har Velle

धां – धां रें रें साां , साां साांसाां साां s

==================

Chup Maahi Chup Hai Ranjha

ध सा सा सा – सा सा रे ग

==================

Bole Kaise Ve Na Ja

रे ग ग रे सा – सा सा रे ग

==================

Bole Kaise Ve Na Ja

रे ग ग रे सा नि नि सा रे

==================

Aaja Aaja

सा सा ss सा सा s s

==================

Bole Kaise Ve Na Ja

रे ग ग रे सा – सा सा रे ग

==================

Bole Kaise Ve Na Ja

रे ग ग रे सा – सा सा रे ग

==================

Chup Maahi Chup Hai Ranjha

रे ग ग रे सा नि नि सा रे

==================

Aaja Aaja

सा सा ss सा सा s s

======================================================