This blog for help people to play musical instrument from this notation you can watch my video also on youtube Thanks
Monday, December 11, 2023
Tere mere hothon per flut intro part notation sargam
Srivalli Song Notes Sargam For Flute Notations Harmonium Casio Etc bollywood song sargam
Nazren Milte Hi Nazron Se Nazron Ko Churaye
सा प प पप प म पप प प प म प प म ग s s
Kaisi Ye Haya Teri Jo Tu Palkon Ho Jhukaye
सा प प पप प म पप प प प म प प म ग s s
Rab Jo Poshida Hai
म म प म ग रे ग
Uss Ko Nihare Tu
सा म म प म ग रे ग
Aur Jo Garveeda Hai
म म प म ग रे ग
Usko Taale Tu
सा रे रे सा नि सा
Prathmesh Pophale Flute
Instagram / Prathmesh Pophale
Teri Jhalak Asharfi Srivalli
सा सा – सासासा सा रे ग , ग रेमगरे सा नि_
Naina Madak Barfi
नि_ नि_ नि_ ध नि_ ध नि_ प s s s
Teri Jhalak Asharfi Srivalli
सा सा – सासासा सा प ग , ग रेमगरे सा नि_
Bathein Kare Do Halfi
नि_ नि_ नि_ ध नि_ ध नि_ प s s s
(Note – komal Ni denoted as नि_)
Its very super song for instrumental you can use all same notes for all instrument for more info you can comment and request your song
Krishna Or Kans Flute Notation
Sunday, July 9, 2023
Saturday, July 1, 2023
Pal Pal Dil Ke Pass Sargam Notation For Flute Harmoniam Keyboard etc
Pal Pal Dil Ke Pass Sargam
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Singer : Kishor Kumar
Movie : Blackmail
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Pal pal dil ke paas tum rehti ho (2 Times)
Ḍ s s Ṇ s s S s s G s s R s R s Ḍ s Ḍ Ḍ Ṇ Ṇ S s s (2 Times)
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Jeevan meethi pyaas yeh kehti ho
G s M s P s s D P P R sR G GM G
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Pal pal dil ke paas tum rehti ho
Ḍ s s Ṇ s s S s s G s s R s R s Ḍ s Ḍ Ḍ Ṇ Ṇ S s s
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Har shyam aankhon par Tera aanchal lehraye
P͜P̣ Ḍ s ̣ Ḍ͜Ḍ ḌḌ Ḍ͜G G͜R R͜S S͜Ṇ Ṇ͜Ḍ Ṇ͜Ḍ͜P̣
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Har raat yaadon ki Baarat le aaye
S P P͜P P͜D P͜M͜M M͜G͜R R͜M M͜G͜G
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Maein saans leta hoonTeri khushboo aati hai
G R͜RG͜G R͜RS͜S S Ḍ G R͜RG͜G R͜RS͜S S S͜S
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Ek mehka mehka sa Paigham laati hai
G͜G R͜G G͜R R͜S S S͜P G R R G s R S S P ̣
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Meri dil ki dhadkan bhiTere geet gaati hai
S PPP P͜D P M͜M M M͜G͜R R͜R M M G͜G
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Pal pal dil ke paas tum rehti ho
Ḍ s s Ṇ s s S s s G s s R s R s Ḍ s Ḍ Ḍ Ṇ Ṇ S s s
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Antra
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Kal tujhko dekha tha maine apne aagan mein
P͜P̣ Ḍ s ̣ Ḍ͜Ḍ ḌḌ Ḍ͜G G͜R R͜S S͜Ṇ Ṇ͜Ḍ Ṇ͜Ḍ͜P̣
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Jaise keh rahi thi tum Mujhe bandh lo bandhan mein
S P P͜P P͜D P͜M͜M M͜G͜R R͜M M͜G͜G
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Yeh kaisa rishta hai, yeh kaise sapne hain
G R͜RG͜G R͜RS͜S S Ḍ G R͜RG͜G R͜RS͜S S S͜S
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Begane ho kar bhi kyun lagte apne hai
G͜G R͜G G͜R R͜S S S͜P G R R G s R S S P ̣
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Main soch main rehta hoon Dar dar ke kehta hoon
S P P͜P P͜D P͜M͜M M͜G͜R R͜M M͜G͜G
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Pal pal dil ke paas tum rehti ho
Ḍ s s Ṇ s s S s s G s s R s R s Ḍ s Ḍ Ḍ Ṇ Ṇ S s s
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All antra is same
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Golden Flute Pravin Sargam For Specially Flute and Same notation you can use on keybord harmonium etc for more information you can whats app me or call me 9921991131
Monday, June 26, 2023
What Is Different Hindustani Flute And Carnatic Flute
The Hindustani flute, also known as the Bansuri, and the Carnatic flute, known as the Venu, are two distinct styles of flutes found in the Indian classical music tradition. While both flutes share similarities in terms of their basic construction and playing technique, there are several differences between them:
1. Historical and regional origins: The Hindustani flute is primarily associated with the North Indian classical music tradition, whereas the Carnatic flute is associated with the South Indian classical music tradition. The geographical and cultural variations between the two regions have influenced the development of their respective flute styles.
2. Length and number of finger holes: The Hindustani flute is typically longer than the Carnatic flute, with six or seven finger holes. It is often made from a single piece of bamboo. On the other hand, the Carnatic flute is shorter and has eight finger holes, including one thumb hole.
3. Embouchure and blowing technique: The embouchure, or the way the flutist positions their lips and blows into the flute, differs slightly between the two styles. In Hindustani music, the flutist uses a technique called "khoj" where the lower lip partially covers the embouchure hole. In Carnatic music, the flutist uses a technique called "pulling," where the lower lip fully covers the embouchure hole.
4. Pitch and tuning: The tuning systems used in Hindustani and Carnatic music also vary. Hindustani music is predominantly based on the raga system, which allows for more flexibility and improvisation in terms of pitch and melodic structures. Carnatic music, on the other hand, follows a strict system of fixed pitches called the saptakam, with a more defined and structured approach to melodic improvisation.
5. Playing style and repertoire: Both styles have their own distinctive playing styles and repertoire. Hindustani flute music often emphasizes slow and meditative melodies, known as alap and vilambit, while also incorporating fast-paced rhythmic compositions called bandish. Carnatic flute music features intricate ornamentation, rhythmic complexity, and compositions like varnams, kritis, and ragam-tanam-pallavi.
It's important to note that these are general differences between the Hindustani and Carnatic flutes, and there can be variations within each style based on the preferences of individual artists. Both flutes have their unique beauty and are integral parts of their respective classical music traditions in India.
This is Hindustani flute photo
Indian Bamboo Flute History
The history of the Hindustani flute, also known as the Bansuri, is rooted in ancient Indian culture and has a rich heritage dating back thousands of years. The Bansuri is a bamboo flute commonly associated with Hindustani classical music and is considered one of the oldest musical instruments in India.
The origins of the Bansuri can be traced to the Vedic period (around 1500 BCE to 500 BCE), as depicted in ancient Indian scriptures and texts. The flute is mentioned in the Rigveda, one of the oldest sacred texts of Hinduism, where it is referred to as "Vamshi" or "Venu." These references indicate that the flute has been an integral part of Indian music for centuries.
In the context of Hindustani classical music, the Bansuri gained prominence as a melodic instrument. Its development and refinement are often attributed to Lord Krishna, an avatar of Lord Vishnu in Hindu mythology. According to legends, Lord Krishna was not only a divine figure but also an accomplished flute player who enchanted people with his melodious tunes. His association with the Bansuri elevated its status and led to its widespread use in devotional music and classical compositions.
Over time, the Bansuri evolved in terms of design, technique, and playing styles. It is typically made from a single hollow bamboo tube with six to eight finger holes, though variations with more or fewer holes exist. The length and diameter of the flute determine its pitch and tonal range. Different sizes of Bansuri are used to produce various scales and melodies.
In Hindustani classical music, the Bansuri is mainly played in two different octaves, known as "mandra saptak" (lower octave) and "taar saptak" (higher octave). The player creates sound by blowing air across the open end of the flute and manipulating the pitch by covering or uncovering the finger holes. The technique of breath control, known as "swara shastra," is crucial for achieving the characteristic fluidity and expression in Bansuri playing.
The Bansuri has gained recognition and popularity beyond classical music, finding its way into various genres and musical collaborations. Modern flute players have explored fusion with Western music, jazz, and world music, expanding the versatility and appeal of the instrument.
Today, the Bansuri continues to be an integral part of the Indian classical music tradition, played by professional musicians and enthusiasts alike. It has also found a place in contemporary music, film soundtracks, and global performances, showcasing its enduring significance and timeless beauty.
Online Flute Class Golden Flute Pravin Classes Learn Flute Online Hindustani Flute
Raag Bhupali Palte For Practice For Flute Vocal Harmonium Etc
Sunday, June 25, 2023
Ranjha (Shershaah) Notations Sargam Bollywood song Sargam Notation for harmonium Casio keyboard
Roothi Ae Sabte Rabba
ध सा सा सा सा सा सा सा
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Rabba Dil Bhi Hai Rootha
ध सा सा ध प – प प प प
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Sab Kuchh Hai Bikhra Bikhra
ध सा सा सा सा सा सा सा
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Bikhra Sa Rootha Rootha
ध सा सा ध प – प प प प
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Chup Maahi Chup Hai Ranjha
ध सा सा सा – सा सा रे ग
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Bole Kaise Ve Na Ja
रे ग ग रे सा – सा सा रे ग
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Bole Kaise Ve Na Ja
रे ग ग रे सा नि नि सा रे
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Aaja Aaja
सा सा ss सा सा s s
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Bole Kaise Ve Na Ja
ध सा सा सा – सा सा रे ग
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Bole Kaise Ve Na Ja
रे ग ग रे सा – सा सा रे ग
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Chup Maahi Chup Hai Ranjha
रे ग ग रे सा नि नि सा रे
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Aaja Aaja
सा सा ss सा सा s s
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Ve Mera Dola Ni Aaya Dola
साां साां साां निां साां साां निां धांs पांs म धां साां s s
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Ve Mera Dola Ni Aaya Dola
साां साां साां निां साां साां निां धांs पांs म धां साां s s
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Ve Mera Dola Ni Aaya Dola
साां साां साां निां साां साां निां धांs पांs म धां साां s s
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Ve Mera Dola Ni Aaya Dola
साां साां साां निां साां साां निां धांs पांs म धां साां s s
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Oh Rabb Vi Khel Hai Khele
धां - धां रें रें साां , साां साांसाां साां निां रें साां निां धां
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Roz Lagave Mele
धां – धां रें रें साां , साां साांसाां साां s
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Kehnda Kuch Na Badla
धां – धां रें रें साां , साां साांसाां साां निां रें साां निां धां
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Jhooth Bole Har Velle
धां – धां रें रें साां , साां साांसाां साां s
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Oh Rabb Vi Khel Hai Khele
धां – धां रें रें साां , साां साांसाां साां निां रें साां निां धां
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Roz Lagave Mele
धां – धां रें रें साां , साां साांसाां साां s
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Kehnda Kuch Na Badla
धां – धां रें रें साां , साां साांसाां साां निां रें साां निां धां
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Jhooth Bole Har Velle
धां – धां रें रें साां , साां साांसाां साां s
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Chup Maahi Chup Hai Ranjha
ध सा सा सा – सा सा रे ग
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Bole Kaise Ve Na Ja
रे ग ग रे सा – सा सा रे ग
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Bole Kaise Ve Na Ja
रे ग ग रे सा नि नि सा रे
==================
Aaja Aaja
सा सा ss सा सा s s
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Bole Kaise Ve Na Ja
रे ग ग रे सा – सा सा रे ग
==================
Bole Kaise Ve Na Ja
रे ग ग रे सा – सा सा रे ग
==================
Chup Maahi Chup Hai Ranjha
रे ग ग रे सा नि नि सा रे
==================
Aaja Aaja
सा सा ss सा सा s s
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Pasoori Flute Notations Sargam For harmonium And all instrument
Agg Lavan Majboori Nu
स ां धां धां धां धां_ धां_ धां
(Sa dha dha dha dha_ dha_ dha )
Aan Jaan Di Pasoori Nu
स ां धां स ां धां धां धां_ धां_ धां
(Sa dha saa dha dha dha_ dha_ dha )
Zehar Bane Haan Teri
न ां धां पां , न ां धां पां s
(Ni dha pa , Ni dha pa s )
Pee Jaavan Main Poori Nu
रे ग s धां_ धां_ ध न ध_ ध
( Re ga s dha _ dha_ dha Ni dha_ dha )
Aana Si Oh Nahi Aaya
स ां धां धां धां धां_ धां_ धां
(Sa dha dha dha dha_ dha_ dha )
Dil Bang Bang Mera Takraya
स ां धां स ां धां धां धां_ धां_ धां
(Sa dha saa dha dha dha_ dha_ dha )
Kaga Bol Ke Dass Jaave
न ां धां पां , न ां धां पां s
(Ni dha pa , Ni dha pa s )
Paawan Gheyo Dee Choori Nu
रे ग s धां_ धां_ ध न ध_ ध
( Re ga s dha _ dha_ dha Ni dha_ dha )
Prathmesh Pophale Flute
Instagram / Prathmesh Pophale
Ranwan Ch Banwan Ch
धां - धां स ां धां , स ां रें स ां
(Dha – dha saa dha , saa re sa )
Oh Nu Lukavan
रे ग म ग रे स न
(Re ga ma ga re sa ni)
Koyi Mainu Na Roke
न ां - न ां रें स ां न ां धां_ धां
( Ni – Ni Re sa Ni dha_ dha )
Mere Dhol Judaiyan Di
धां पां धां स ां स ां रें ग म ग रे s
Tainu Khabar Kivein Hove
धां पां धां स ां स ां रें ग म ग रे s
Aa Jaave Dil Tera
न ां रें स ां न ां धां न ां न ां
Poora Vi Na Hove
न स रे स न ध_ ध
Kesariya Tera flute Notation Sargam For Flute Harmonium casio notes Sargam Notation
Mujhko Itna Bataye Koyi
प प ग s s रे ग म ग रे सा नि सा s s
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Kaise Tujhse Dil Na Lagaye Koyi
प ध पं पं गs s s s रे ग म ग रे सा नि सा s s
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Rabba Ne Tujhko Banane Mein
सा रे ग s प म ग रे सा ग
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Kardi Hai Husn Ki , Khaali Tijoriyan
प म ग रे सा ग , प म ग रे सा रे s s s
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Kajal Ki Siyahi Se Likhi
सा रे ग s प म ग रे सा ग
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Hai Tune Jaane
प म ग रे सा
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Kitno Ki Love Story’an
प ध सा सा ग ग ग म ग रे s
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Kesariya Tera Ishq Hai Piya
सा गरे गरे सा नि s प प ध म s s s
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Rang Jaaun Jo Main Hath Lagaun
रे रे नि रे रे रे, नि रे ग म ग s s
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Din Beete Saara Teri Fikr Mein
सा गरे गरे सा नि s प प ध म s s s
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Rain Saari Teri Khair Manaun
रे रे नि रे रे रे, नि रे ग म ग s s
=========================
This Notation for Special flute Harmonium and all instrument you can you use very easy notation for more song please comment